6 days Coordinated & managed the first national Canadian Astrology Conference in Toronto. 11 levels, 4 year program.ġ974-1977 Founder & National Coordinator of CIAO, the Canadian Independent Astrologers’ Order, Toronto, On.ġ974 Sep Northern Lights Astrology Conference CIAO. 4 astrology classes per week, 3 semesters a year. Students would then be enabled to follow the discourse with their fingers.ġ974-Current RASA School of Astrology, curriculum approved by the Professional Astrologers Inc. This was a circular board with symbols elevated on it to enable touch reading. Astro-logic II was a multilingual work in seven languages.ġ972-1976 Owned & managed IAO Astrological Bookstore Toronto, On.ġ972 Astrological Mandalas, Spaced Art, Science Fiction Art Exhibit, Bakka, Torontoġ973 Invented the Wheel of Astrologic to teach I Ching and Astrology to the blind. IAO Publications essentially published books and posters on Astro-logic, the Synthesis of Astrology and the I Ching. Telescopes were acquired and would be brought to special sites in the country, to observe special phenomena. By 2000 the collection had grown to 25,000 items. At its peak in the mid-nineties, over 300 people a month were using the library. Over 500 people donated books to create the library. IAO Library of Divine Science, and the Healing Arts. It quickly developed into a place of education and research. 17 Born in Montreal, Quebec, Canadaġ964-1966 Sir George Williams University, Scienceġ968-1969 Hari Om Ashram, Meditation in India.ġ970 I Ching-Astrology Horoscope forms, designed and printed, Toronto, Onġ970–Current Professional Astrological Consultant, Toronto, Onġ971-1990 Founder and President of the IAO Research Centre Inc., Toronto, Ontario, a non-profit corporation which started as a centre of inspiration and creativity with regards to the I Ching and astrology. the revelation of the living light of Christ, the witness of Salvation, the image of the glorified Church.’ It is only to this higher purpose that iconographic artisans are dedicated in their work, and consecrated, where the Holy Spirit wishes to dwell.1946-Oct. A popular book entitled The Light of Christ, authored by Archpriest Andrew Tregubov, a well known iconographer, explains the meaning of the living tradition of iconography as ’. Instead, while remaining consistent with its Byzantine roots to create perception through light, iconography and iconographer are mandated by a living tradition to continue being Spirit bearing, and innovative. Nor should it amount to a quality of painting arranged by pricing. Iconography in our time and place should not have to amount to a revival of copying tradition. Especially when painting an entire church, I like bringing together a collaboration of proficient theological and iconographic skills to create the best possible comprehensive iconographic program. The actually painting in the church continues to proceed by my hands. Next, Dionisy transformed our theme into a comprehensive iconographic plan for the entire church interior, and approached Alexey to sketch out the entire plan. The former worked with me to finalize the theme of Holy Wisdom which I discussed with the Archbishop and received his approval. Next, I was introduced to an Orthodox theologian and art historian, Dionisy Denisov, and the iconographer, Alexey Kozlov, both from the Orthodox Church in Russia. We discussed iconographic themes rooted in the naming of the church, Christ the Savior. This particular project began in consultation with Archbishop Nathael, of the Romanian Episcopate of the Orthodox Church in America, who is also an iconographer but not actively painting. The approach I’ve taken is a more focused thematic iconographic planning. Presently, I’m occupied with creating new murals for Christ the Savior Church in Humble, Texas.
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